Friday, November 20, 2009

Breast Cancer Singlets

The Men Who Stare at Goats


















Film convoluted that the director Piersilvio, Metafilm film and television to enjoy a comfortable on their comfortable armchairs, more comforting, more and more mechanized, with the glass of popcorn in hand and the remote control instead of the other girl's hand.
Yes, because the newness of this way of making movies, handed down in the family business as a craftsman, is to be administered slowly and in small doses block the brain.
Plot. Buy Gino 's latest offering the Berlusconi family, the film "live", a package of premieres to be enjoyed from the safety of their homes without bother, get off and go to the movies. Everything is in the home. The Roosevelt analogy is obvious: how good president reached the houses, and so the hearts of families across the radio, babe Piersilvio ago daddy a favor by placing a link to all the homes reached by the bid cinema, while Silvio himself prepares the beard and red tights with a view of the festivities. From the 'go on the pitch' to 'go down the chimney'. Gino
So, happily, stands in front of the TV: it has 50 films to be seen within the week, it takes a vow of chastity and the instant loss of all hair. Prepare a ton of roasted corn that you download directly from a tanker imprestatagli by a cousin, turns on the TV and off the show. Finally a bit 'of the show. You could not more of these crap in the afternoon, think Gino. While the sun slowly, and offended, is extinguished.
's night, Gino came to the vision of the 11th film. Two sticks to mo 'A Clockwork Orange (which the film program, damn it, there is not) take apart the eyes. Look, look at all hog the show, watching the screen with supernatural attention.
Then the program break.
You see the home of Gino. His bedroom. His wife naked with his clothes torn to the ground. Two men, probably Romanians, the beat and raped her violently. Gino afraid. He does not understand what's happening. Think of a joke. But stand still and watch.
want to see how it ends.
But the camera moves. Moves to the living room and framed a man in an undershirt and pants made in profile with his eyes locked forward. E 'Gino. It is recognized perfectly. His face is hit by a flare blue.
The camera gets closer, it is drawing closer, now enters the screen in front of Gino and he sees it, a long blade that flies over his head. Gino is in stone, the heart bouncing against his chest, but can not move.
want to see how it ends.
Then the blade down on his shoulder and Gino will feel the chilling cold, better than any 3D movies. Then the blade moves to the right and Gino He rolls his eyes, finally able to see "how an Italian dies." Yes, because unlike in the words of Quattrocchi, a man died in a time of war now rather die like this, watching TV, like a slaughtered goat.

Photograph of scene: http://notebookitalia.it

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