Facebook 21st Birthday Event Titles

Plot. Mario is a bricklayer. He works all day and evening as part of a damned tired at home. Every night is the same old story: you eat in front of the TV, watching the news, to say nothing and then you go to bed, watching a movie in half, you fall asleep and then again the following day.
One day, however, things changed for Mario. Back home after work, sit down, turn on the TV, tune in Channel 5 and the bite si ferma in gola.
Qualcosa è cambiato.
Il tg non è lo stesso. Sembra che la tv non vada, trasmetta un'immagine sbiadita. Colpa del digitale? Mario chiama un antennista che il giorno dopo arriva puntuale a casa sua. Insieme guardano la tv e pure l'antennista rimane di stucco. Le immagini paiono ad entrambi più vecchie, più appannate.
Allora Mario chiede ai vicini condomini se anche loro hanno lo stesso problema. Ebbene sì, anche loro hanno lo stesso problema di nitidezza.
Senza sapere come spiegarsi la faccenda Mario decide di rivolgersi direttamente alla tv.
"No, signor Mario. A noi non risulta nessun problema" è la risposta dal call center.

Passano i giorni e le immagini di tutta Mediaset seem to have something in common, other than the first. Mario talks about it every night with his wife, children around the table. And the debate continues in the bedroom. Then the next day at work communicates more with his colleagues because of this fact. All have the same problem and nobody knows how to explain it. Then one night
Mario notices a wrinkle. Dell'anchorman a wrinkle on her face. Surprised to see something never seen on TV is tuned to another channel. Also presents you with wrinkles.
night after the script is repeated, if not worse. Soubrette by falling boobs, thighs Smale, cellulite in sight, grizzled hair, receding hairline in the sunshine ... But what was happening?
Mediaset had lowered the level? Those persone in tv sembravano più normali, con gli stessi problemi di tutti, meno spettacolari. Ma più simpatici. Più divertenti. Mario provava addirittura pena a volte per quelle persone.
Poi la notizia: il proprietario di una televisione, nonché presidente del consiglio, aveva deciso di vendere ad un' azienda esterna l'intero reparto truccatrici. 56 donne lavoratrici fra Roma e Cologno Monzese che vengono scaricate da un amabile amatore: l'isola felice di Mediaset voleva esternalizzare un settore basilare per l'immagine; le lavoratrici, intuendo cosa stesse succedendo (precarizzazione con conseguente perdita del posto di lavoro) incrociarono le braccia e scioperarono.
Era in atto la rivoluzione della televisione. Indeed, it was a revolution taking place in costume.

Vocabulary Answers For Level C

state secrets

Plot. The judiciary should be looking for some informative documents on a scandal that includes governments of left and right, top to telephone companies and agents of the Earthquakes, all involved in un'intrecciata and complicated network of political and financial and abetting wiretapping. But when the cards are gathered and began the process of analysis, here is the political leader of the country is moving in haste to cover up the evidence, putting the notorious state secret. The Copasir, the committee in the House who has the power to revoke the decision of concealment, and being chased by the popular actor Massimo D'Alema, of course, remains silent, suggesting that interest in the affair.
The mystery becomes more complicated when it turns out that some suspects are loyal prime minister today as the previous one. In this case the beautiful interpretations of Niccolo Pollari, the head of the earthquake and by Prodi appointed Councillor, Marco Mancini, who we saw in the film about the abduction of Abu Omar and Giuliano Tavaroli, former head of Telecom securuty before which 500 people gather controlled information and documents on politicians, journalists and entrepreneurs.
labyrinthine politic-thriller movie belonging to the rich vein of film on the cover-up of state of which we give a rough list: "Piano Solo" del 1964 in cui deportazioni programmate di politici dell'opposizione da parte del regista generale De Lorenzo vengono fatte passare come semplici esercitazioni; "Piazza Fontana" del 1969 dove i servizi segreti hanno legami con i terroristi neri; "Gli operai della Fiat schedati in massa" del 1971 in cui si vede un in formissima Andreotti; "Golpe Bianco" del 1974 in cui Aldo Moro e Andreotti impediscono al giudice Violante di far luce sul tentato colpo di stato; "Fondi Usa al Sid" del 1976, storia di finanziamenti ai politici italiani il cui indagamento viene ostacolato da Aldo Moro; "Armi alle Br e all'Olp" del 1979, film sul rifornimento di armi dall'Italia nascosto da Craxi e De Mita; "Il caso Eni Petronim" del 1980, su tangenti e petrolio hidden by Cossiga, "Italo Toni and Graziella De Palo: journalists have disappeared forever in 1980 on the two informants disappeared in Lebanon.
many other films are still in progress. The State will seek to produce and distribute mostly. Enjoy!

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The Day After Tomorrow

Plot. A country wakes up in a new day, a new year. Everything looks the same: the tram, roads, sidewalks, churches, television, newspaper kiosks. Everything, in short, in place.
But one thing has changed, but one is enough to make this already incredible and unsurpassed in the New Year: no accidents caused by Pops New Year's Eve, no one who blew himself up a hand with a firecracker, no one who has reduced meatballs in his fingers. None.
transmissions tune dedicated special event, the newspapers are mourning the absence of news - because those who had prepared did not materialize. A country completely different one without an accident, a country no longer normal but completely renovated.
And a platitude like that then people realize that everything, even the most unimaginable things can break the norm and change. The people began to leave early from work to spend more time with his family and friends, spend more time with their hobbies, the economy slows, supermarkets close, they change all the rhythms of society, all by an unexploded firecracker.
But it will be gone really well, you ask the people? Or is it just another bale of cloth?
Then the entire society begins to look around, ask to see if anyone was really hurt during the celebrations of the first year. People from the beginning of a real investigation on a large scale, all to safeguard the objective truth of events. A large team of researchers looking for evidence of information. They run the whole country from north to south, from east to west, exchange information, results, creating a powerful network of contacts, and it seems that no one has actually blew up the phalanges.
Then jump off a child from a hospital. With a stump instead of the lower limb.
A victim of the festivities.
"It was actually a firecracker dud" ensures the child, still in shock.
"But then ... this changes everything ..." starts to think about the people. "I mean that nothing has changed. History is behind us."
"But look," says the child "You are changed."
Already, people have changed. How? Pursuing a shared goal, that of seeking the Truth? And all from a fact of daily life, a normal occurrence that has not happened this year as every year. People are incredulous
back to his life changed by new rhythms. It still does not understand how did he make change everything.

from a story by Fabio Valle.